Using compound narratives satirically distorting fact and fiction from an otherworldly perspective, Agnew tells a story of Eve and Eve through stop-animation, drawing and installation. Eve and Eve fall in love in paradise but as dramatic addictions to vanity and jealousy unfold, paradise is lost. In the meantime, a suicide bomber suffers a confused sense of identity in following orders of an indoctrinated mission – faced with conflicting decisions and her sense of worth, she faces her immortality at the expense of good and evil.
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